Wednesday, October 29, 2008

College for Fundamentalists?

During the past few weeks I've had the opportunity of assisting Amy Arbus (daughter of photographer Diane Arbus) who is teaching a course at ICP called The Narrative Portrait.

Last week guest speaker Jona Frank presented her work from Right: Portraits from the Evangelical Ivy League. It was a fascinating examination of Patrick Henry College that Amazon.com describes as "...the higher education institution of choice among politically far-right young people aspiring to enter the conservative power elite. The explicit mission of PHC is to cultivate leaders to take American politics and culture back to God through careers in politics and entertainment. Acclaimed photographer Jona Frank presents an honest intimate and eye-opening portrait of the school and its students. Frank's photos eschew cultural politicking of the left or the right allowing readers to draw their own conclusions about a school and a youth movement with the potential to produce many of tomorrow's leaders."

NPR
's review states, " The ferociously conservative Christian right may be an unfashionable bunch this political season, but when it comes to the notion of a need for change, there are no truer or more fervently motivated believers. In fact, the recently founded Patrick Henry College is churning out these family-values crusaders in force.

Inspired by journalist Hanna Rosin's 2005 New Yorker article about Purcellville, Va.'s so-called "Harvard For Homeschoolers" (subsequently expanded in the book God's Harvard), photographer Jona Frank put aside her own lefty leanings and set out — with Right: Portraits from the Evangelical Ivy League — to find the shared heartbeat of Patrick Henry College's student body, a group of kids for whom the Abercrombie & Fitch catalog is the work of sinners and a game of sloppy beer pong immoral.

It would have been easy for Frank to frame her young subjects — many of them acne-riddled, most of them attired in bad suits or ankle-length skirts, all of them painfully clean-cut — as proselytizing geeks and rabid, would-be game-changers. Indeed, the school's founder, Michael Farris, has aspirations for his Christian charges that go way beyond living right and influence-peddling. He greets each class of freshmen with a dream: One day, he tells them, "an Academy Award winner will walk down the aisle. He'll get a cell phone call congratulating him. It happens to be the president of the United States — his old roommate from Patrick Henry College."

Photographer Frank's intentionally neutral approach carries much less of a chill and allows unflinching expressions, erect postures, small sartorial details and the students' own words to tell a story. Jeremiah, a recent PHC grad who lists Harriet Tubman and disgraced evangelical pastor Ted Haggard among his heroes, is photographed like a young Sam Waterston on the set of Law & Order, his preternatural sense of empowerment eerily convincing. James, 19, in a midnight black blazer, looks burningly at the horizon and recalls with fondness "being treated to pizza and ice-cream sundaes at John Ashcroft's house" on one of his class's quite unique school trips. In a section titled "Interns," Rebekah, 23, kicks back on the set of Fox News, while Craig, 24, looks positively snappish in the office of Republican Congressman Donald Manzullo, both students the beneficiaries of PHC's aggressive placement programs.

Be afraid, be very afraid.

Bond Street Gallery closes its doors

I'm sad to report that on Saturday November 1st, Bond Street Gallery will close its doors. Amani Olu, the founder of Humble Arts Foundation, did a great job as curator and director to support new art photography.

Wednesday, October 22, 2008

Take That Red States

Wise, wise words from Lady Bunny. I can't help but post the whole thing.

"DEAR RED STATES,

We've decided we're leaving. We intend to form our own country, and we're taking the other Blue States with us. In case you aren't aware, that includes California, Hawaii, Oregon, Washington, Minnesota, Wisconsin, Michigan, Illinois and all the Northeast. We believe this split will be beneficial to the nation, and especially to the people of the new country of New California.

To sum up briefly: You get Texas, Oklahoma and all the slave states. We get stem cell research and the best beaches. We get the Statue of Liberty. You get Dollywood. We get Intel and Microsoft. You get WorldCom. We get Harvard. You get Ole' Miss. We get 85 percent of America's venture capital and entrepreneurs. You get Alabama. We get two-thirds of the tax revenue, you get to make the red states pay their fair share.

Since our aggregate divorce rate is 22 percent lower than the Christian Coalition's, we get a bunch of happy families. You get a bunch of single moms. Please be aware that Nuevo California will be pro-choice and anti-war, and we're going to want all our citizens back from Iraq at once. If you need people to fight, ask your evangelicals. They have kids they're apparently willing to send to their deaths for no purpose, and they don't care if you don't show pictures of their children's caskets coming home. We do wish you success in Iraq , and hope that the WMDs turn up, but we're not willing to spend our resources in Bush's Quagmire.

With the Blue States in hand, we will have firm control of 80 percent of the country's fresh water, more than 90 percent of the pineapple and lettuce, 92 percent of the nation's fresh fruit, 95 percent of America's quality wines, 90 percent of all cheese, 90 percent of the high tech industry, most of the U.S. low-sulfur coal, all living redwoods, sequoias and condors, all the Ivy and Seven Sister schools plus Stanford, Cal Tech and MIT. With the Red States, on the other hand, you will have to cope with 88 percent of all obese Americans (and their projected health care costs), 92 percent of all U.S. mosquitoes, nearly 100 percent of the tornadoes, 90 percent of the hurricanes, 99 percent of all Southern Baptists, virtually 100 percent of all
televangelists, Rush Limbaugh, Bob Jones University, Clemson and the University of Georgia. We get Hollywood and Yosemite, thank you.

Additionally, 38 percent of those in the Red states believe Jonah was actually swallowed by a whale, 62 percent believe life is sacredunless we're discussing the war, the death penalty or gun laws, 44 percent say that evolution is only a theory, 53 percent that Saddam was involved in 9/11 and 61 percent of you crazy bastards believe you are people with higher morals then we lefties.

Finally, we're taking the good pot, too. You can have that dirt weed they grow in Mexico.

Peace out,
Blue States"

PDN Photoplus Expo Oct 23-25


The PDN Photoplus Expo begins tomorrow. Touted as The Most Important Event in Photography: October 23-25, 2008. Located at the Jacob Javits Center in New York City the show boasts a huge expo floor, hundreds of exhibitors, thousands of new products and a conference with over 100 seminars.

Here's the schedule:

Thursday, October 23
9am - 10am
Preview for Gold Expo Pass/Conference
Attendee Badge Holders only
10am - 5 pm
Exhibit Hall Open

Friday, October 24
9am - 10am
Preview for Gold Expo Pass/Conference
Attendee Badge Holders only
10am - 5pm
Exhibit Hall Open

Saturday, October 25
10am - 4pm
Exhibit Hall Open

Hope to see you all there!

Tuesday, October 21, 2008

Racism at its Finest



Unbelievable. How will be racial divide ever be bridged?

Monday, October 20, 2008

Art Gotham's Square Foot Show Election 2008


On Saturday I'll be in a group show at Art Gotham's Square Foot Show. This year, fittingly, the theme is Election 2008. It has been a fascinating election to watch, i.e. the way a train wreck rivets one's attention. As a Canadian, who obviously can't vote in this country, I can't help but question the two party political system (and yes, I'm discounting the Ralph Nader and Ross Perot types) and view it as devisive and deficient. For many disillusioned voters, the 2008 elections will be a choice between the lesser of two evils, rather than an affirmation of support for the platform of either candidate.

"Politics and art? As impossible a mix as oil and water? Not necessarily. Has there ever been a more powerful anti-war message than Picasso’s Guernica? The last year has shown that Americans want to engage in politics again. We do care what happens here and abroad. To celebrate the excitement now bubbling as the coming election approaches, Art Gotham chose the timely theme “Election 2008” for its biannual Square Foot Show, which opens Saturday, October 26th and runs through Sunday, November 9th. Artists were provided with 12x12 inch canvases, and asked to think politically as they create works for the show. Nothing like a tough assignment for producing amazing results. "

ART GOTHAM

THE SQUARE FOOT SHOW | ELECTION 2008

Opening Reception: Saturday October 25 | 3-8pm
Works on view until Saturday November 8

Location: 192 Ave of the Americas (6th Ave btw Spring & Prince)
Gallery Hours: Thursday-Sunday 1-6pm

Photography Book Now

Wednesday Oct 22

Blurb: Photography Book Now Symposium - A Primer on Publishing Photography Books

2.30pm - 6.30pm

New Museum

235 Bowery

This event is currently sold out but you can RSVP here to get on the wait list and also to see the attendee list

This will be followed by: Photography Book Now New York City Meet-Up

6.30pm - 8.30pm

also at The New Museum

RSVP here: there are still 68 spots available and as before you can see who has all ready RSVP’d to attend.

Upcoming ASMP events

OCT 20th THOMAS WERNER BUSINESS OF FINE ART
The Business of Fine Art Photography - Core Concepts by Thomas Werner Is the Fine Art Photography world a place for you? How do you analyze your work? How do you build a relationship with a gallery? And what happens when you get an exhibition? Thomas Werner presents this fast-paced seminar giving you insights into the fine art business world. It is critically important to develop multiple ways to promote and support your business. Thomas explains how creating and properly marketing a body of fine art work can help you achieve these goals.

Monday Oct 20
7-9pm
Location: Apple Store 767 5th Ave


OCT 21st, 2nd annual meet and great PPE warm up!!!
stop by to meet some of the vendors participating in ppe, along with fellow members, panelists, and the curious about asmp! FREE AND OPEN TO ALL, FOOD AND DRINK WILL BE SERVED!

we will be having a slide show of members work again, please email me your best one image for the projection, have your name in the image, preferrably against a neutral background at the lower right hand corner. send the files to me stephen@stephenmallon.com resolution - 1000x1000 pixels @ 72dpi, jpeg level 8. see my example up there? if its a vertical put the black on the vertical axis ONE IMAGE EACH ONE IMAGE ONLY!

Tuesday Oct 21
6-10pm
Location: Studio 385
385 Broadway, Suite 3F

OCT 25TH asmp national members meeting!
All ASMP members are cordially invited to the annual member meeting on Saturday morning, October 25. The meeting is at Splashlight Studios at 535 West 35th Street, between 10th and 11th Avenues - just half a block from the Javits Center.

Door prize: The first 100 members to arrive will receive an ASMP-branded one-gig flash drive. Doors open at 8:30am (continental breakfast) 9 am - ASMP business session 10 am - speaker: Carolyn Potts, "21st-Century Marketing Tips for Photographers Who Weren't Born Yesterday" 11 am - speaker: Julieanne Kost, "Next Generation of Image Editing Software" 12 noon - adjourn



Wednesday, October 15, 2008

Revisiting America opening tonight


BOND STREET GALLERY is pleased to present Revisiting America, a group show curated by amani olu. This exhibition explores the shift in American culture following the Second World War, and how that shift has influenced American values today.

EXHIBITING PHOTOGRAPHERS:
Timothy Briner, Jon Feinstein, Matthew Gamber, Justin James Reed, Angie Smith, Brian Ulrich and Michael Vahrenwald


OPENING RECEPTION:
Wednesday, October 15, 2008
PRESS PREVIEW: 4 – 6 pm | PUBLIC RECEPTION: 6 – 9 pm
ON VIEW: Wednesday, October 15 – Saturday, November 15, 2008

PRESS INQUIRIES: kate@bondstreetgallery.com

BOND STREET GALLERY
297 Bond Street | Brooklyn, NY 11231 (Carroll Gardens)
718.858.2297 | DIRECTIONS: F/G to Carroll St. or R to Union St.

GALLERY HOURS: Tuesday – Saturday | 11 am – 6 pm

Tuesday, October 14, 2008

When You Meet a Kindred Spirit


Two weeks ago, during the JC Artists Studio Tour, I had the opportunity of greeting a collector I had met during last year's tour. Even though we had only met several times I felt as though we had known each other much longer. We bonded over our similar cultural and educational backgrounds and I recognized him as a kindred spirit. He happily reported he had been so inspired by meeting artists last year that he fulfilled his long held desire to open a small gallery in our up-and-coming neighbourhood. The gallery recently had a very successful opening. When I met the owner last week I had a chance to tour the space. We had a wonderful discussion about potential projects and collaborations (and I'll post the details once they're confirmed).

The piece above is from a series called Family/Memory that I started when I was a student at ICP 2 years ago. It was recently acquired by my new patron/collector and has given me the needed impetus to continue the series.

Thursday, October 9, 2008

NYFA Mentoring Program

The New York Foundation for the Arts is entering its third year of the Mentoring Program. There's an Information Session on Wednesday, October 15, 5-7 PM in the NYFA offices at 155 Avenue of the Americas, 6th floor.

You can also contact Andreia Davies, the Immigrant Coordinator, via email at i.outreach@nyfa.org, or via telephone at (212) 366-6900 ext. 322.

The Mentoring Program for Immigrant Artists pairs foreign-born artists with 2008 NYFA Fellows who act as their Mentors for a period of six months, beginning in Janaury 2009, to assist them in gaining broader access to the New York art world. Mentors also help their Mentees achieve a specific goal, such as writing an artist statement, creating a marketing brochure, or completing a grant application. Our goal is to help immigrant artists acquire some of the skills necessary to fairly compete and ultimately succeed as artists.

Monday, October 6, 2008

Art for Obama auction



A BENEFIT ART AUCTION ORGANIZED IN SUPPORT OF THE OBAMA/BIDEN CAMPAIGN

Bidding began at 5 pm on October 1st through October 8th. See all the donated works here.

I would love to bid on the photos above but have the reality of rent and groceries to deal with.

ABOUT THE ORGANIZERS OF THIS BENEFIT AUCTION, from the event website:

MISSION
ART FOR OBAMA is an online auction of photographs to benefit the Obama Campaign. Fifty of the country’s most prominent artists and photographers have donated their work for this cause. The auction will launch on October 1st and will run for one week. All proceeds from the auction will go to the Obama Campaign, to the Democratic National Committee and to non-profit organizations such as MoveOn.org, which are currently devoting their energy to helping the Obama campaign. Proceeds will be distributed in strict accordance with Federal Election Commission regulations.

WHO WE ARE
ART FOR OBAMA is a group of five artists who have come together to help the Obama campaign. Because we cannot afford to make large donations ourselves, we want to bring together the leaders of our community to help create change. We are all unpaid volunteers.

Deadline for Critical Mass






The deadline for Photolucida's Critical Mass is tonight and I just finished editing my entry. I submitted my most recent project Isolation/Identity and hope the portraits present a strong and cohesive body of work.

From Photolucida's Blog;

Introducing the Reviewer's Scrapbook!

Here in the States these days, it's hard to turn on the tv or radio without getting an earful about that particular day's political winners and losers. I suppose it makes sense when it comes to an election and one office up for grabs, but I worry that the competitive tone extends unnecessarily into the rest of the world. Here, for example, with Critical Mass.

One of our goals with Critical Mass is to emphasize its function as a resource and not necessarily a competition. The idea, from the beginning, was never about tabulating winners and losers, but to create a resource for contemporary art photography, allowing photographers from anywhere to get their work seen by editors, curators, and other people who actually use photography. Critical Mass was designed as a way to play matchmaker and then reward some of the photographers who everyone agrees are great with well-deserved monographs that automatically go into the collections of every single person involved. Ultimately though, it's not about the books, but about a process that allows everyone who enters to have a fair shot at having their work seen by people who actually use photography.

This year, in addition to the monographs, we've come up with an idea to celebrate the differences of opinion jurors may have by adding a "Reviewer's Scrapbook" section to our web site. This becomes a place where we can emphasize the individual tastes of select Reviewers. We've got lots of great reviewers but Laurel Ptak, for example, is going to have a significantly different list of favorites than Brooks Jensen, isn't she? The idea is simple- we're selecting 12 reviewers and inviting them to keep a folder on their desktop of their favorite images. After the voting has taken place, these images will then be turned into web slideshows, with one new slideshow coming out each month.

So far, invitations have been extended and are still coming in. Let's see, as of this moment, 86 hours before the deadline for Critical Mass entries, the following jurors have confirmed that they're willing to keep and share their scrapbooks:

Andy Adams, Flak Photo
Paul Buckley, Penguin Group
Roy Flukinger, Harry Ransom Center
Rob Haggart, APhotoEditor.com / APhotoFolio.com
Whitney Johnson, New Yorker Magazine

We'll keep you posted as more confirmations come in. I tell you, we're excited...

Isolation/Identity exhibit as part of Jersey City Studio Tour



I've been neglecting my poor blog as last week I had been preparing for my exhibit as part of the Jersey City Artists Studio Tour. From the Jersey Journal:

ART ON THE LOOSE

From barks to Barack, studio tour hosts variety
Monday, October 06, 2008
CHARLES HACK
JOURNAL STAFF WRITER

"With 600 registered artists showing at 90 venues, this year's Jersey City Artists Studio Tour held over the weekend was the largest in its 18-year history, Jersey City Art Curator Greg Brickey said.

Brickey estimated the tour, which attracted 10,000 visitors this year, has added 100 artists each year during the last four years.

"There is a whole new population of young hipsters here and a lot of them are artists and musicians," Brickey said.

Visitors to Van Vorst Park could pick up a portable radio from a desk and listen to a composition by sound artist Damian Catera.

Catera placed microphones around the park to pick up live sounds, such as people talking and dogs barking, and created his own music that was transmitted from one of three low power FM radio transmitters in the park.

At a former warehouse at 150 Bay St. in the Powerhouse Arts District residents threw open their double doors to their cavernous live/work loft spaces to show diverse works. For example, Canadian photographer Daphne Chan's portraits explore the feeling of isolation of her subjects and Cheryl Renee Riley's wall hangings and furniture are inspired by African art.

Brickey said some of the tour's highlights included the first exhibition at the Beacon complex of a sculpture curated by Jim Pustorino of the Victory Arts Project.

Another highlight was Jersey City artist Ron English's wall-sized exhibit "ABRAHAMOBAMA" that fuses the faces of Abraham Lincoln and presidential hopeful Barack Obama shown at the Canco lofts on Dey Street, he said."

About an hour before the studio tour ended on Sunday, a reporter stepped into my studio, perused the art, peppered me with questions while he frantically wrote in his notebook, then ran out. The whole thing took about two minutes. I wasn't sure what would come of that so thank you to Charles Hack for the shout out.

Participating in the tour was, as always, a great experience and this year was the best. It was the first time I had exhibited work from my project Isolation/Identity so I was curious and a little nervous about the reception it would receive. The feedback was overwhelmingly positive which was balm to my ears and made all the hard work worth it. When that feedback is accompanied by a sale, it's even better (and goes a long way to supporting and producing new work). You can never predict who will attend a studio tour so I was pleased to meet many artists, photographers and collectors. Hopefully some of those connections will lead to good opportunities so I'm crossing my fingers for now.